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Lover of anything vintage. I spend my free time looking at antiques,watching and collecting classic films,and reading some of the greatest literary classics known to man.This blog is just my way of sharing my interests with other people.
Showing posts with label theater. Show all posts
Showing posts with label theater. Show all posts

Sunday, February 17, 2013

"Speak your mind, even if your voice shakes."-Maggie Smith

Like any person who is unabashedly obsessed with the UK, Harry Potter, Downton Abbey, and all things British, I have a great love for Maggie Smith. She's a wonderful actress, and is genuinely funny both on the screen and off. Even today there are many people who recognize her and appreciate her work, but are not familiar with some of her older films and the career she built for herself before she became popular in America.
Also, like any person who loves Maggie Smith, I just watched her on 60 Minutes, and I was thinking to myself, I would love to do a post on Maggie Smith...and then I realized I can! She's been in classic films, so she's qualified for the blog.

Maggie Smith
Born December 28, 1934

In the winter of 1934, Margaret "Maggie" Natalie Smith was born in Essex, England, to parents Nathaniel and Margaret. Her father was a pathologist, and his career moved the family to Oxford when Smith was only 4 years of age. She grew up here, attending Oxford High School for Girls. Her two older twin brothers studied architecture, but young Maggie had a desire to act. She was strongly discouraged from this career path by her grandmother who told her that she was not pretty enough to be an actress, and recommended that she learn to type instead. Luckily, Smith did not dwell on these words, and went on to study at Oxford Playhouse School after she graduated. It was during her time there that she had her stage debut in 1952, playing the role of Viola from William Shakespeare's Twelfth Night.
In 1956, Smith headed to Broadway, where she performed in New Faces of '56. Later that year she obtained a small part in front of a camera in the film Child in the House. By 1959 she managed to earn a bigger part in the dramatic crime film, Nowhere to Go. During this time, however, Smith did not stop acting on the stage. She loved theater, and began to make a name for herself on the stage. She became a regular at the Royal National Theater. In 1964 she played the role of Desdemona alongside critically acclaimed Shakespearean actor Laurence Olivier in Othello. This led to a film adaptation with both of them in the same roles the following year. Several years later, Smith was cast as the lead in the film The Prime of Miss Jean Brodie (1969), which earned her an Academy Award.
By the time that Smith's popularity began to grow with audiences in America, she was already a very well recognized and praised actress overseas. She continued to act and gradually began to make a name for herself through characters who were strict, and armed with a vast arsenal of endless dry wit, or, as Smith has described it, "spiky" characters. She played an older Wendy in the movie Hook (1991), had a role in Sister Act (1992), and played a very important character in the film Tea with Mussolini (1999). She has had countless other roles, but is perhaps best recognized these days for one...
When the popular book series Harry Potter was slated for film adaptations, author J.K. Rowling reportedly hand picked Smith for the role of the stern yet lovable Transfiguration teacher and deputy headmistress, Minerva McGonagall. Little known to many people is the fact that she had already acted alongside Daniel Radcliffe before, playing Betsey Trotwood to his David Copperfield in 1999 for BBC. Smith has always been admired by her coworkers for being a professional to the utmost, but it was perhaps during the filming of the Harry Potter film series that she showed the true extent of her professionalism and work ethic. Sometime between 2007 and 2008, Smith was diagnosed with breast cancer. In 2009, during the filming of Harry Potter and the Half-Blood Prince, she also developed shingles. There was a time when she wore a wig in order to portray her character. Despite all of this, Smith kept going and eventually made a full recovery, saying that the cancer was "hideous," and going on to say, "If there's work to be done, I'll do it."
While Smith continues to act in movies today, her most recent character to capture audiences hearts is that of the formidable and sarcastic Dowager Countess of Grantham, Violet Crawley, in the television period drama Downton Abbey.
Maggie Smith has already built a remarkable career for herself. She has played parts in over 50 major motion pictures, 8 made for TV movies, appeared in 2 TV series, had a starring role in 1 TV mini-series, and has made guest appearances on things like The Carol Burnett Show. She has been nominated for more than 40 awards, and has won 5 BAFTA Awards, 3 Emmy Awards, 2 SAG Awards, 3 Golden Globes, 2 Academy Awards, and many more. She has also acted in 76 theater productions, for which she has received  the William Shakespeare Award for Classical Theatre. She has two sons from her first marriage, both of whom are well known actors. She has three honorary degrees from the University of Bath, University of St Andrews, and also University of Cambridge. She has also been made a Commander of the Order of the British Empire (1970), and later on to a Dame Commander (1990).
She says she has no plans to retire.


"There is a kind of invisible thread between the actor and the audience, and when it's there it's stunning, and there is nothing to match that."
-Maggie Smith

"I like the ephemeral thing about theatre, every performance is like a ghost--it's there and then it's gone."
-Maggie Smith

"I tend to head for what's amusing because a lot of things aren't happy. But usually you can find a funny side to practically anything."
-Maggie Smith


"It's true I don't tolerate fools but then they don't tolerate me, so I am spiky. Maybe that's why I'm quite good at playing spiky elderly ladies."
-Maggie Smith


Sunday, August 5, 2012

A Classic Summer Tradition

In honor of Turner Classic Movie's Summer Under the Stars, we thought we'd do a fun post for you on the history of the drive-in cinema!


Once popular enough that there were around 4,000 drive-in's throughout the United States, there are only around 300 left.
So what's the story?

When did they start?
In 1932, when a man by the name of Richard Hollingshead, Jr. created one in his very own backyard for experimental purposes. Hollingshead created a large screen, secured it to trees with the use of nails, mounted a projector on his own vehicle, and then used a radio behind the screen, which he frequently adjusted in order to observe different sound levels with his car. He also experimented and came up with the idea of mounting cars at different levels so that every car could get a complete view of the screen. His work for his "drive-in" movie theater was patented in 1933.

Where to next?
Well, after conducting all of his experiments, Hollingshead opened an official drive-in theater to the public in Pennsauken, New Jersey. People were curious about this new cinematic experience, to begin with, but Hollingshead certainly drew in a crowd by appealing to families with his slogan, "The whole family is welcome, regardless of how noisy the children are!" If you look at Hollingshead's personal business records, his drive-in may not have seemed like that big of a hit, only staying open for about three years, but the idea took off and spread like wildfire throughout other states. It is really because of these 14 states' willingness to run with the idea that the fully functioning drive-in was developed. There were still kinks that had to be worked out with the positioning of the screen, and especially with sound issues, but all of the other drive-ins tampered with these things for the next few years, and eventually came up with solutions.


Drive-in theaters entered their glory days in the 1950s and 60s. They gained some negative connotations due to their extra privacy, making them the perfect date spots and hot spots for teenagers with nothing to do. Despite the bad publicity, however, these "passion pits" still remained popular even throughout the 1970s.

So what went wrong?
Realty. Land prices sky-rocketed, and many of the drive-in theater owners couldn't justify paying for the upkeep of these huge pieces of land that they only actually operated for about 3 to 4 months out of the year. It just became too expensive.
Also, less income was drawn from it as more inventions like color television, extended cable, and VCRs were made available to the public. Who wants to pay to watch a movie in their car when they could be watching movies or recorded tv from the comfort of their own living room?

The drive-ins put up a good fight, though. As the ones that remained open began to notice a decline in customers, they did their best to draw them in--to really make the trip/visit worth their while with special dining services, petting zoos, opening musical acts, etc. Indeed, one of the largest of these theaters ever built was in Long Island, NY, and it featured an actual restaurant, trolley rides, a playground, an extra indoor screen for those who preferred air conditioning, and parking for just shy of 3,000 cars.


What happened to them?
Slowly but surely the theaters went out of business, and as they did so, various different things happened. Especially with the bigger pieces of property, owners sliced of chunks of their land and sold them to seperate buyers, hoping to get more money. The drive-in locations themselves were usually sold to other businesses, some being torn down to make way for expanding business districts, churches, etc. There were quite a few that were not entirely shut down, but combined with other businesses--usually flea markets. And so the drive-in became a thing of the past...or so it seemed.

What about drive-ins today?
Today, there are not nearly as many drive-in theaters as there used to be, but there has been a growth in popularity once more. Efforts have been made, usually by independent business owners, to reconstruct more of the theaters and reopen them to the public. There are many towns that have established temporary drive-ins, often setting a time, date, and meeting place (such as abandoned parking lots or warehouses) beforehand, and using the location as a one-night fling.
Though not as popular as they ever were before, one thing is certain--drive-in theaters will always remain a unique part of cinematic history for America.

That's it for now, folks!
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